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augmented scale patterns

Oddly enough, the augmented chord is often used in the I position when paired with the harmonic minor scale. Before we can answer that question, it’s first important to analyze the notes in the augmented scale and determine what we have. Thus, the sharp five is something that is fairly unique to the augmented scale. This means that the interval relationships between scale degrees are repeated to create a symmetrical pattern. Starting with our C augmented scale and eliminating every other note yields: This is exactly a C augmented triad, which can also be thought of as consistent stacks of major third intervals. The augmented scale is a hexatonic scale–that is, it only has six tones. That might seem like an odd bunch to lump in together but they are al scales that ambiguous tonal centres or none at all. Back to Page Index. View Lesson 51: Comparing the Diminished Scales, View Lesson 53: How To Build The Whole Tone Scale. Putting all this together we can see several chords where the augmented scale really sets itself apart: Let’s examine each of these instances separately. I really like the augmented scale. In our next music theory video lesson, we will learn how to build the Whole Tone Scale. If you recall, minor scales have a flatted third, sixth, and seventh with respect to their parallel major counterparts. It is constructed from two augmented triads a half step apart. However, the C minor scale and the C augmented scale share the notes C, Eb, and G making the augmented scale 3/6, or 1/3 or 50% minor. First we notice that this scale has both a minor third, and a major third. The name of the scale is based on the fact that it is built upon two augmented chords. The augmented scale is literally made up of two augmented triads. (adsbygoogle=window.adsbygoogle||[]).push({}); In this music theory video lesson, we will learn how to build the augmented scale. It is constructed from two augmented triads a half step apart. Ex 7.1 Basic Diminished Scales: Ex 7.2. the diminished, chromatic, whole-tone and augmented scales This is just a quick summary post for all resources relating to THE DIMINISHED, CHROMATIC, WHOLE-TONE AND AUGMENTED SCALES. This scale should not be confused with Lydian Augmented with the semi-notes pattern 2 - 2 - 2 - 2 - 1 - 2 - 1. In this example the scale would consist of C Eb E G Ab B C. Since both of the chords are symmetrical every major 3rd the scale is also symmetrical in that way. The augmented is a 6 note symmetrical scale. Further Information On Guitar Scales Fingering. I understand that these percentages do not add up to 100% but that is because each of the scales (major, and minor) exists is separate domains, and as a result, are not subject to the same set of rules. Augmented scale theory, at the very least, can assist musicians as they move beyond digital patterns and other less than creative approaches when working with 3-tonic systems, helping their improvisations move from tired to inspired. The augmented may or may not be the best choice of scale, depending on the exact circumstances of the song, but it is a possibility and a choice. 1.5 steps, 0.5 steps, 1.5 steps, 0.5 steps, 1.5 steps, and 0.5 steps. Lydian Augmented Scale Pattern. Once again, we can see that all of these appear exactly in the augmented scale making it a great choice for this type of chord as well. Experiment to find the fingering that works best for you. In ex 7.1 we have a basic diminished scales, and as an example of how they work look at the first one (ex 7.1A – starting on D) If this applies to a Db7 or C#7 the notes are (in ascending order): b9, #9, 3rd, b5, 5 13, 7. The Augmented Scale Patterns The augmented scale is a hexatonic (6 note) scale formed by consistently alternating minor third intervals with half-steps. A major seventh chord (maj7, major 7, or M7) is built from 1, 3, 5, and 7 of the major scale. 2 Octave G Lydian Augmented Scale TAB. As you may notice, the augmented scale also contains a 1, 3, 5, and 7. In this example the scale … Again, we can compare this to our reduced form of the diminished scale which was built with stacks of minor thirds. In the C Augmented Scale this would be C - E - G# (Caug) and Eb - G - B (Ebaug). Thus, the augmented scale has components that resemble both the major and the minor scale. This first example focuses on the triads of the three tonalities with a leading tone to the third scale degree. A major seventh, sharped fifth chord (maj7#5) is built from 1, 3, #5, and 7 from the major scale. The Scale, construction and contained chords. It also used mostly in jazz and fusion music since this art form tends to be more musically free than pop or rock. As a result, some musicians will move between these scales depending on where they are at positionally within the scale. As you can see, this shares all 4 notes with the augmented scale, making the augmented scale a great choice to outline these chords. Augmented Chords are built using 1, 3, and #5, all of which are contained in the augmented scale. Thus, you can use either the major scale or the augmented scale to solo over a maj7 chord. For lead accompaniment, most musicians become familiar with two main scale forms: seven-tone (or heptatonic) and five-tone (or pentatonic). The augmented scale is a hexatonic (6 note) scale formed by consistently alternating minor third intervals with half-steps. In example 1 the C and B augmented triads are shown and I’ve added two ways to play the scale. On the other hand, a minor scale would have a flatted seventh. Free scale finder that helps you learn the fretboard patterns for hundreds of guitar scales and arpeggios. In example 1 the C and B augmented triads are shown and I’ve added two ways to play the scale. The importance here is that this is the first scale you have encountered so far that has both. For example: Minor third, half-step, minor third, half-step, minor third and half-step. You will learn practice patterns, arpeggio patterns, and sample licks to help take your Dim7 soloing phrases to the next level. The augmented is a 6 note symmetrical scale. For example, we can call our minor thirds, 3/2 steps to yield: 3/2 steps, 1/2 step, 3/2 step, 1/2 step, 3/2 steps, and 1/2 step. This fingerings generator software runs online and provides scales audio and diagrams. This lesson will explain how to build, play, and solo with the diminished scale. The C aug or C+ scale is: C D# E G Ab B Note that the C-E-Ab is an augmented chord and two major thirds apart as well as the D#-G-B. Fives are seen in both major and minor scales, while #5 is not seen in major, minor or diminished. Open Position 1 Octave C Lydian Augmented Scale TAB. We can express the intervals for the augmented scale in a variety of ways. For example, the C major scale and C augmented scale both share the notes C, E, G, and B.

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