neumann kms 104 frequency response
The ultimate studio standard all over the world. In comparison with the KMS 104 and KMS 105, the acoustic properties of the bass range have been redefined. The KMS 104 plus has a much smoother frequency response than dynamic microphones and an airy top-end. " ... for the performer with clarity and articulation, the open and natural character that the 105 imparts to an outstanding vocal will be appreciated by those with the ears to hear it." For near-field use (defined as 5cm), the proximity boost of the Plus provides a heightened bass response, +12dB at 100Hz, compared to +8dB for the KMS104. We speculate that this filter was tuned in some way, or possibly removed, to produce the KMS 104 plus. There is also a 104 plus, which has a slightly extended low frequency response. For 50 years! Please let us know! The KMS 104 plus won a TEC award in 2010 for outstanding technical achievement. The KMS 104 plus has a much smoother frequency response than dynamic microphones and an airy top-end. Audio Media 8/2000, But Who Picks The Mic? Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. 94 dB SPL), Tight cardioid pattern without off-axis coloration, Unaffected by extreme sound pressure levels, Feedback resistant, high rejection of rearward sound (180°). The Neumann KMS series of handheld condenser mic's are very versatile and sound great. The KMS 104 has a much smoother frequency response than dynamic microphones and an airy top-end. The sound of our 1950s tube classics recreated with trouble free FET circuitry, State-of-the-art small diaphragm condenser microphone, Small size – big sound: Neumann’s most affordable large diaphragm microphone. Video, ... about the handling of stage microphones The response of this microphone to these nuances was impressive, to say the least." In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance. The KMS 104 is a studio grade vocal microphone for stage use. The KMS104 has a built-in, hard-wired high-pass filter. Stage feeling in the studio. The KMS 104 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Video, Soundcheck Leser Poll - Mikrofon des Jahres 2003 - KMS 105, Soundcheck Leser Poll - Mikrofon des Jahres 2001 - KMS 105. Compared to dynamic microphones, the Neumann KMS 104 plus has a vastly superior transient response resulting in a more immediate and emotional vocal sound. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. Thanks to its superior sound quality, the KMS 104 is also an excellent microphone for home recording and broadcast applications. The “KMS 104 plus” is a version of the KMS 104 handheld vocal consdenser designed specifically for the female voice within a “rock and pop” context. "There are only a few mics that would make you just drop everything and buy one. Soundcheck 6/2000, "It has a very transparent and open sound, reducing or eliminating the need for additional console EQ." Visit our Neumann online shop and buy now! The KMS 104 plus ships with a mic clip (p/n SG 105) and a padded nylon storage bag. Its transformerless output minimizes electromagnetic interference, such as hum. Unlike usual stage microphones, which use dynamic capsules, the KMS 104 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. Studio sound on stage. Holly Palmer and the Neumann KMS 150 Because of its low output impedance of only 50 ohms, the KMS 104 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses. "No ´ifs´, ´ands´ or ´buts´: The Neumann KMS 105 earns our wholehearted recommendation." The KMS 104 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. Download PDF, Deborah Martin and the KMS 105 "It is definitely a high-end microphone designed not to break the bank." There are two: the 104 being the cardioid and the 105 super cardioid. (The newer KMS 104 Plus is a version of the KMS104 in which the low-end response is less attenuated — that is, the Plus appears to not have the KMS104’s high-pass filter.) Cardioid Pro Audio Review 6/2000, " ... the Neumann KMS 105 had a clarity that was indescribable." Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. (4.5 mV/Pa; 20 - 20,000 Hz). Neumann KMS 104 plus Cardioid Condenser Microphone. (for California residents only): This product can expose you to chemicals including lead, which is known to the State of California to cause cancer and birth defects and other reproductive harm. I would say the Neumann KMS 105 is most definitely one of those few." At the same time, the KMS 104 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS, But Who Picks The Mic? A foam windscreen (p/n WSS 100) is available separately. The outstanding foamless pop screen was completely convincing." Tastenwelt 4/2000, "Included in the package is a clever, nylon-and-Velcro padded bag that wraps around both the mic and the stand clip, offering a high degree of protection." The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. The head amplifier is protected by a thick-walled housing. These are essentially small-diaphragm condenser mic's that have been modified for handheld vocal use. Discover microphones KMS 104/ 104 Plus/ 105 made by Neumann. 94 dB SPL), Signal-to-noise ratio, A-weighted (re. High-resolution tri-amplified near-field monitor, optimized for midrange and a dry bass sound. Wolfgang Fraissinet, President of Marketing/Sales at Neumann Berlin explains: “In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.”. For more information go to: www.p65warnings.ca.gov. ... A comparison of the frequency-response charts of the KMS104 and KMS104-Plus shows that the Plus has a lower -3dB point for “free field” use: 90Hz rather than the KMS104’s 125Hz. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.
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